Let’s just get this out of the way; I’m bummed that the Yarn Harlot was in A2 last week and I missed her (A2 is Ann Arbor, MI for the non local folks). In my defense, I was teaching a sock knitting class in Lake Orion. I know Stephanie would consider that a valid excuse

It’s been a very busy week but I still managed to put another layer of color on my grape vines pieces. The first one (Cloth 1, as it’s now known), is below.

The colors are a bit intense, not the soft water color look I had originally envisioned. I did this on purpose because I’m assuming I will loose color again. Not as much this time (I hope) as I’m taking measures to avoid it. My first correction was to not dilute my paints so much. I’m sure I had them diluted to the point where I had very little binder left. The manufacturer recommends not diluting more than 50% and I know I was way past that. Here is Cloth 2, it is starting to look a lot like Cloth 1, hummmmm.

The next steps I’m taking to avoid a huge amount of wash-out this go ’round is to let it cure longer between heat setting and washing, like a week before I heat set and a week after! In case you can’t see it, I added the gel-glue resist lines back in. This project is certainly a learning experience. I’m Blogging about it too, that means if I have a dismal failure, it’s a public one. What was I thinking?!?

So, what have I been busy doing all week? I taught a class at my spinning group on printing with silk screens. Don’t ask me why spinners want to silk screen but, there you have it, at least it went well and they seemed to enjoy it. I also did a lesson for my art group that met last night on Abstracting an Image. This was a challenge as I have no formal art training, just what I could pick up in the occasional CC class, fiber workshop (a lot of those!) and through books (a lot of those too) and the Internet. After several days research, I had a pretty good presentation. It was a small showing as we had the first warm and sunny day in 6 months yesterday but, the experience of putting the lesson together taught me so much I certainly can’t complain. I was fascinated by the process and it’s so much less scary for me now. I recently finished an online class of which I have mentioned in my last two posts. This class was an excellent choice for this time in my artistic journey. The instructor had us doing this in the class and she succinctly described the process as “reduce the image to it’s simplest form” and then gave ideas on how to do that. After further investigation and practicing the techniques I picked up in several places, I found the computer and Adobe Photoshop to be the fastest way to accomplish this. I t may seem like cheating and it would feel like it if I was going to use the simplified image as it. But by the time it is interpreted into another medium by hand (fabric or paint), I simply consider it a short cut. I’m sure there are those who would disagree. Too bad, it’s my tool of choice! All I can say is it’s a darn shame I did not have, nor could I find, a photo of grape vines on a stucco wall. No short cuts on this project. Sigh. And because you need a photo after getting through all that text here is a detail shot of Cloth 1. You can clearly see the resist lines now.

Ack, it looks pink!

Deb H

I’ve taken up the challenge by LynnH of Colorjoy! to knit spring into existence by picking something with very spring colors and thinking warm, sunny, colorful, new growth thoughts while I knit My project is a pair of socks called “A Riot of Tulips” because that is what the colorway looks like to me.

It’s just a start but so far, the cuff is linen stitch and I’m using the Sky Architecture sock pattern from Cat Bordhi’s new book; New Pathways for Sock Knitters, book one. Yes, I’ve started another pair of socks - hey - I like socks!

I must be painting Spring into Existence as well. I just realized that my colors I picked for painting the art room are very spring like!Pale aqua for 3 walls, bright chartreuse for one wall and all the doors, trimmed in medium dark aqua. But, I have to say… it’s always at this point when I wonder why I thought I wanted to take this on - I really do hate painting! As I progress ( a little bit each week, I can only force myself to work on it for short periods of time), it will be worth it. The best part is getting rid of the nauseating wall paper trim (See upper far left of photo). I just can’t handle the cutesy pink flowers in blue baskets - ugh. It’s not my fault, they came with the house!

The next saga of my “Grape Vines on Stucco” has not gone excellently. Oy.

I added lots more color. I was actually kind of happy with it, even if it is a bit too yellow.

It’s still wet here but you can see the resist is working nicely. I let it cure and heat set it. BTW, I’m using Setasilk, Transparent Setacolor, and Lumiere fabric paints.

I decided to try a less “wet” painting technique and started a second painted silk cloth (both are about 22″ x 26″). This also has resist lines (much softer) and potential.

The background is hard to see but is much less yellow. I used a spray bottle and some diluted warm brown. It looks a bit like tea dyeing. After curing and heat setting, I couldn’t stand it and wanted to see how the resist was working. I washed them.

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Whoa! Where did all my color go?!? I guess I need to be a little more patient when it comes to the curing and heat setting.

OK, back to the paint table - at least the yellow washed out

Deb H

Confused? You won’t be after our next exciting episode of “Scarlet Zebra’s Blog!” (with appologies to “Soap” an 80’s night time soap opera spoof - yes, I’m that old  ;o)

Art Journals, Art Books, Altered Books, etc. are works of art in themselves. Often created by the artist to explore an idea, concept, technique, or make a statement. They can be quite beautiful and are currently quite the rage. Here is a link to several sites that illustrate Art Journals.

What I want to talk about is Artist’s Journaling. This is a journal that covers all aspects of an artist’s journey. As part of my pre-workshop homework for the class I’m taking (in two days, I’m soooo excited!) at Fabrications; Tempting the Muse with Laura Cater-Woods, we are asked to start an artist’s journal. This has been quite a journey in itself for me. Forcing me to really think about a few things and to really focus on the why’s, the wherefores, and the what’s. Looking at old work for clues as to what moves me enough to make art out it. Do I have a need to “say” something or do I just feel a severe compulsion to add more color to the world? The later is entirely possible  ;o)  I found that even though I had just started out pasting pictures on white journal pages. It DROVE me NUTS, all that white paper. Out came the colors… yea, it’s a compulsion.
Collecting pictures of old work and WIP’s (works in progress) has at least made me realize I do produce more than I give myself credit for.  But, the hard part is (obviously) finishing things!  Reviewing past workshops is a good way to refresh your memory on what you had learned. Collecting pictures of things that inspire or excite me is a good way to spark a creative frenzy.

All in all, this journal thing is too much fun! And now I’m having some great ideas. Of course, it may just be sleep deprivation. I’m packed (finally) and ready to head for my fun, arty weekend! See y’all next week  :o)